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c. 1445 – May 17, 1510. Italian painter.

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WOUWERMAN, Philips
Rast auf der Falkenjagd

ID: 71587

WOUWERMAN, Philips Rast auf der Falkenjagd
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WOUWERMAN, Philips Rast auf der Falkenjagd


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WOUWERMAN, Philips

Dutch Baroque Era Painter, 1619-1668. Dutch painters from Haarlem. Dutch painter and draughtsman. He was the eldest son of the painter Paulus [Pauwels] Joostens Wouwerman of Alkmaar (d 28 Sept 1642), whose two other sons, Pieter Wouwerman (1623-82) and Johannes Wouwerman (1629-66), also became painters. Philips probably received his first painting lessons from his father, none of whose work has been identified. According to Cornelis de Bie, Wouwerman was next apprenticed to Frans Hals, although no trace of Hals's influence is discernible in Wouwerman's work. Wouwerman is also reputed to have spent several weeks in 1638 or 1639 working in Hamburg in the studio of the German history painter Evert Decker (d 1647). While in Hamburg, he married Annetje Pietersz. van Broeckhof. On 4 September 1640 Wouwerman joined the Guild of St Luke in Haarlem, in which in 1646 he held the office of vinder (agent or 'finder'). Given the many southern elements in his landscapes, it has repeatedly been suggested that Wouwerman must have travelled to France or Italy, but there is no documentary evidence that he left his native Haarlem for more than short periods. During his lifetime he must have attained a certain degree of prosperity, as demonstrated by the relatively large sums inherited by each of his seven children after his wife's death in 1670.  Related Paintings of WOUWERMAN, Philips :. | Dune Landscape qet | Rocky Landscape with resting Travellers qr | Rider's Rest Place q4r | Cavalry at a Sutler's Booth (mk25) | Hunters and Horsemen by the Roadside (mk05) |
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Joseph Friedrich August Darbes
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Peter von Cornelius
German Realist Painter, 1783-1867 German painter, draughtsman and teacher. He was a leading figure in the 19th-century revival of fresco painting for the decoration of public buildings. In both his own work and his teaching he was more concerned with conception and design than with the execution of the finished work.






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